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Artist Wins $100,000 Prize for Painting Inspired by Renaissance Art and George Orwell

Artist Wins $100,000 Prize for Painting Inspired by Renaissance Art and George Orwell

Artist Wins $100,000 Prize for Painting Inspired by Renaissance Art and George Orwell
The topic is Aboriginal and Torres Strait Islander Art
It happened on Friday, 7 August 2026, at 6:00 pm
Ryan Presley said he was surprised to win the award, calling it a big surprise and a huge affirmation
Ryan Presley, an artist from Alice Springs, won the $100,000 top prize at the National Aboriginal and Torres Strait Islander Art Awards for his oil painting, Our lifestyle of tranquillity undisturbed
The painting shows an Indigenous man between his dog and a hunting rifle, inspired by Renaissance artworks
Here is the full list of winners
Ryan Presley won the Telstra Art Award
Vanessa Inkamala won the General Painting Award
Jenna Mayilema Lee won the Work on Paper Award
Barayuwa Munuŋgurr won the Bark Painting Award
Napuwarri Marawili won the Wandjuk Marika Memorial 3D Award
Guruwuy Murrinyina won the Emerging Artist Award
Colin Heenan-Puruntatameri won the Multimedia Award
The painting is 1.8 by 1.5 meters and talks about controlling the past, present, and future, inspired by a quote from George Orwell's 1984
Presley described his win as daunting and a great honor, still trying to take it in
He said it took him a while to understand the win
The painting represents sacred spaces and chamber architecture, which can be a sanctuary or a prison
Presley wants to combine these ideas in his work
He talks about young people being jailed at alarming rates, which is part of the idea behind the painting
Presley has been an artist for about 20 years, graduating from Griffith University's contemporary Australian Indigenous art program in 2009
He has exhibited at several museums, including the Samstag Museum of Art and the Institute of Modern Art in Brisbane
Presley hopes the win means he can keep making art for the next 20 years
There are many artworks among the finalists for the National Aboriginal and Torres Strait Islander Art Awards
This year's awards were judged by Kokatha and Nukunu artist Yhonnie Scarce, Trawlwoolway artist Julie Gough, and Kamilaroi artist Warraba Weatherall
Yhonnie Scarce said Ryan's work caught her attention with its multi-layered iconography and story of past, present, and future
Scarce also praised the precision and technique of Presley's painting
Presley is one of seven winners, with 64 finalists and 221 entries, including $15,000 awards for general painting and more
The artwork blends different artistic traditions
Presley draws on styles and iconography from throughout art history, including Italian Baroque and Spanish artists
He explains that he is threading together several well-known works
Presley created the painting over six months, using a technique called chiaroscuro to imitate the use of light and shade in Renaissance artworks
The work pushed the boundaries of his skills, but it's more than just mimicry
Presley wanted to reinterpret classic works for modern Australia, incorporating a bushfire in the distance
He gives the Indigenous figure and Australian landscape the importance and reverence of Renaissance paintings
Presley is influenced by other First Nations artists, including Clifford Possum Tjapaltjarri and Fiona Foley
His childhood in Alice Springs and his time in south-east Queensland shaped his worldview and art
Presley says both places shaped him and what he holds dear
NATSIAA judge Julie Gough says the exhibition shows cultural survival and transmission to the next generation
Presley is following in the footsteps of his uncle, Laurie Presley, who was a finalist in 2007
He says his uncle's achievement was inspirational, making him think he could do it too
Now, Presley is proud to join the ranks of past winners, demonstrating the vitality of Aboriginal art
He believes Aboriginal people make the most important work in Australia
Jenna Mayilema Lee won the $15,000 Work on Paper Award for her work Taking back taken
Lee wove dilly bags from paper maps stolen from the British Museum in London
She spent time in London, visiting museums and asking to see their collections of stolen Aboriginal artefacts
Lee noticed the museum's map cost a suggested donation of 2 British pounds, which she thought was cheeky
She realized the map could become material for her art, and over the next year, she collected more maps
Lee recruited family and friends to steal maps for her, creating a network of people collecting materials
The act of taking the maps was part of the artwork, a kind of defiance
Lee has exhibited at several events, including the Setouchi Trienniale in Japan and the TarraWarra Biennial
It took her five years to develop the skill to turn the maps into dilly bags
Taking back taken is the culmination of years of work and a singular moment of realizing the opportunity to turn the maps into something
Lee's work builds on her previous piece, HIStory Vessels, which won the Wandjuk Marika Memorial 3D Award in 2020
She used the pages of a Ladybird history book to make a series of objects, including woven bags
Turning paper into string for weaving is a difficult process, but Lee was driven by her urge to make work from plant fibers
As an artist working in Melbourne, not on Country, she doesn't have access to traditional materials
Lee had to think about what she was weaving and use the resources around her, like books and paper
The NATSIAA exhibition is at the Museum and Art Gallery of the Northern Territory in Darwin until January 24
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