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What These Marvel Movie Aliens Look Like Without Makeup - Video học tiếng Anh
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What These Marvel Movie Aliens Look Like Without Makeup
What These Marvel Movie Aliens Look Like Without Makeup
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0:00
Behold, your Guardians of the Galaxy. Lee Pace has appeared in a whole bunch of movies and TV
0:09
shows over the years, but arguably [music] his most high-profile role is Ronin the Accuser,
0:14
the alien villain of the 2014 [music] Marvel film Guardians of the Galaxy. In the comics, Ronin
0:20
is part of the blue- skinned alien species known [music] as the CRE. So, makeup artists Elizabeth
0:24
Yiani Gorju and David White [music] had to paint Pace's whole body blue and almost entirely shroud
0:31
his face in black tar. While promoting the film, Pace told the YouTube channel Screen Slam that he
0:36
actually loved wearing his extensive [music] makeup because it serves as a mask for the
0:41
character. He explained, "I move my face in a different way." But what's great about that,
0:46
too, is that it's not the way the character looks, it's the way he wants to look. He's got blue skin,
0:52
but on top of that, he's painted this fearsome [music] mask because that's how he wants to
0:56
present himself to the world. Yanni Ghou and White also designed the look for other extraterrestrial
1:02
characters [music] in the film, which earned them an Oscar nomination for best makeup and
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hair styling [music] in 2015. As for Pace, he went on to play Ronin again in 2019's Captain Marvel,
1:13
forgoing the black face paint since the movie takes place before Guardians and features a less
1:18
radicalized version of the character. I'm sorry I smed your boss, but now I stand before you as my
1:24
true self without deception. Australian actor Ben Mendelson has played countless villains throughout
1:31
his long career, but his turn as the alien Taos in 2019's Captain Marvel is one of the few roles for
1:37
which he actually wore prosthetics and makeup. Although he gets to spend a little time out of
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makeup in the movie, Taos's true appearance is that of a scroll, a race of green shape-shifting
1:46
aliens who are frequently found stirring up trouble in the Marvel universe. To Taos's credit,
1:51
at least, he and his cohorts are revealed to be refugees [music] from the Cre Empire halfway
1:56
through the events of Captain Marvel, so it's quite [music] literally not all bad. To throw
2:01
audiences off that particular twist, Legacy FX supervisor Shane Mahan made the film's scrolls
2:06
look as intimidating [music] as he could, landing on an appearance similar to that of their comic
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book counterparts. When asked about the length of the makeup process, Mendelson told Entertainment
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Weekly that [music] in total it only took a couple of hours. When asked if the makeup team
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managed to quicken the process at all, Mendelson replied, "They have." What do I do? I sit there,
2:28
"No, they have. They're awesome. It's a couple of hours. It's not that big a deal." You know,
2:33
when we faced extinction, I offered a solution. genocide, but random, dispassionate,
2:42
fair to rich and poor alike. Josh Brolan may have dawned his motion capture suit to play the alien
2:47
villain Thanos in the Marvel Cinematic Universe, but he wasn't actually the first actor to play the
2:51
role. In fact, American actor and stuntman Damen [music] Poatier underwent a round of prosthetics
2:56
to portray the mad titan in a mid-credit stinger at the end of 2012's [music] The Avengers. Flash
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forward to 2014 when Poatier explained to the Geeks with Wives podcast how he discovered which
3:06
character [music] he would play in the Avengers. The actor said, "I found out when I was in the
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makeup chair what I was doing. They kept it [music] super quiet because they didn't want
3:15
to put any spoilers out. So, they kept it super quiet what I was doing and I didn't find out
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until they were casting my face to do the sculpt. Although Poatier sadly wasn't destined [music] to
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play Thanos again, he did play Hero Murk 1 in 2016's Captain America Civil War. [music] So,
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that's something at least. In 2018, the costume and creature design powerhouse Iron Head Studio,
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led by Joseé Fernandez, shared a behind-the-scenes photo on their Instagram of Poatier wearing the
3:41
Thanos [music] makeup and prosthetics. As the caption details, although Thanos ended up getting
3:45
a digital sheen for the film and eventually became fully digitally [music] rendered in
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Avengers Infinity War, Jose still has a soft spot for [music] this practical makeup design.
3:55
While the practical Thanos makeup was done away with for later Marvel movies, Iron Head did go on
4:00
to design costumes for Captain America: Civil War, [music] as well as a number of other high-profile
4:05
movies and TV shows, including Aquaman and The Mandalorian. We thank you, Guardians, for putting
4:11
your lives on the line. We could not risk the lives of our own sovereign citizens. Australian
4:18
actress Elizabeth Dicki has starred in a number of high-profile movies and TV shows throughout
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her career, but her turn as the alien queen Aisha in 2017's Guardians of the Galaxy Volume 2 was
4:28
easily the most makeup [music] heavy of them all, requiring her to be painted gold from head
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to toe. While promoting the filmed, Vicki spoke to comicbook.com about putting on the makeup. She
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recalled, "They built a sort of car wash. There was a [music] lot of paint and a lot of sitting
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around and drying. It's quite an intimate process. The film's makeup department head, John Blake,
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also spoke to Makeup artists magazine about giving Aisha's species, the [music] Sovereign,
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their gold look. Going into detail about the trouble they had trying to land on a good color,
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he explained, "There's a lot of gold makeup out there, but some of it doesn't [music] really have
5:02
a metallic gleam, while others have the metallic gleam, but can look very textury and crusty. So,
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it was just a matter of mixing [music] batch after batch of different materials before I could come
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up with a gold that had the right amount of softness and metallic gleam to it. In the end,
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Blake and the makeup team succeeded in giving the sovereign a bright and visually arresting
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gold look, one that made them one of the most [music] memorable aspects of the entire movie.