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The Art of Authentic Photography | National Geographic
The Art of Authentic Photography | National Geographic
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자막 (85)
0:01
- Canada reminded me
0:02
that authenticity isn't something we create.
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It's something we recognize when we're present
0:08
enough to see it.
0:17
- For me, traveling across Canada
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with two other National Geographic photographers was an
0:22
honor just to be able to see them work.
0:31
- One lesson I took away from my trip in Canada is
0:34
that people and places can really surprise you.
0:38
There is a lot of natural wonder to be found.
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There was a day when I was flying in a helicopter
0:45
over Iceberg Alley.
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This is a tour that you could do.
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Off in the distance, I could see that there was this one
0:52
beautiful berg that just had these like swoops
0:56
and curves that appeal to me in this way that's very deep.
1:02
Photographing icebergs from the air is a real challenge.
1:05
I'm trying to get the sun directly behind the berg at all
1:09
of these different angles,
1:10
but the helicopter also moves really quickly, so I have
1:14
to shoot instinctively.
1:16
As I'm taking the picture too, I can't photograph
1:20
through the window at an angle.
1:22
The glass will actually distort the image.
1:24
So I always try to shoot straight through my window.
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What can I say? I love icebergs!
1:34
One of the techniques I like to use when I'm trying
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to capture the essence of people in place is
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to use an ultra-wide lens.
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It forces me to get really close to things, to make
1:44
that space really intimate.
1:46
And you can see it in the pictures, when you are close
1:49
to something, you feel like you're
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standing right next to it.
1:54
What I'm photographing isn't just that subject,
1:56
but it's actually the entire environment around them.
2:06
- So what really blew me away in Canada was the incredible
2:09
diversity of people, from incredible cooks
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to foragers, to artists.
2:15
When you are immersed in photography,
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you're constantly studying your horizon
2:19
for potential pictures that have meaning to the place,
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to the people that you are with.
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That is also delicate
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because if you start to show too much interest
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with your eyes and start paying attention too much to
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that person, that person will feel it and will react to it.
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And you might change that quality, that fleeting,
2:37
that fragile beauty.
2:39
That is something that is psychologically really interesting
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and that you must play with very carefully.
2:46
I wanted to photograph the community
2:48
of musicians from Newfoundland, so I went
2:50
to meet Charlie at this theater.
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Charlie was quite reserved.
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I had to get a picture out of it, which was, you know,
2:58
in a way quite challenging.
3:01
This is when the experience comes in, feeling the type
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of character you're faced with, making them comfortable,
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trying to understand, trying to engage, talking, laughing,
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joking, and slowly movement starts to happen.
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Guys open up. In this case, decided to lower my camera,
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keeping the frame looking down.
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There's nothing between me and that person.
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And then yeah, some magic might happen.
3:33
- When I went to Canada,
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I was expecting these incredible experiences,
3:38
adventures in the wild.
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What I left with was so much more.
3:44
My technique for capturing images
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is just listening.
3:50
It's not about the tools you carry, the latest camera.
3:55
It's nothing about that.
3:59
It's like when I met Bobbi Rose in the
4:01
Cirque of the Unclimbables.
4:03
I traveled with Joel
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and Bobbi Rose to Glacier Lake in Nahanni National Park.
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She's taking youth into these really remote,
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incredible landscapes
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and reconnecting them with that knowledge.
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She reminded me that depth takes time.
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We need time for our assumptions to fall away.
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When you create that trust, build
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that relationship, they will guide you.
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They will lead you to the stories that really matter.
