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The Jarring Scene No One Saw Coming In Christopher Nolan's The Odyssey - Video học tiếng Anh
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The Jarring Scene No One Saw Coming In Christopher Nolan's The Odyssey
The Jarring Scene No One Saw Coming In Christopher Nolan's The Odyssey
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Phụ đề (97)
0:00
Did Christopher Nolan really shoot a
0:02
body horror scene for The Odyssey that
0:03
would make David Cronenberg jealous? The
0:06
answer is yes, and we honestly don't
0:08
know if you're ready for it. Spoilers
0:09
ahead. During an interview with Today,
0:11
the star of said scene, the supremely
0:13
talented Samantha Morton, alluded to how
0:15
bonkers [music] it is by saying,
0:18
>> So, without giving anything away,
0:19
there's a scene that I do that people
0:22
cannot believe is not CGI.
0:24
>> Morton plays Circe, a witch that
0:26
Odysseus and his men encounter after
0:28
dealing with ball-of-feces, Poseidon's
0:31
cyclops son, and some extremely
0:33
unfriendly Laestrygonian [music] giants.
0:35
If you're familiar with the story, you
0:37
know what happens after she, according
0:39
to Zeus's law, offers them food, drink,
0:41
and shelter. She also turns them into
0:43
pigs. But, it's not as simple as just
0:46
waving a wand or uttering an
0:47
incantation. Instead, it begins with the
0:50
men seated around her cottage table and
0:52
they're ravenously enjoying their bowls
0:54
of stew. It all seems pretty normal at
0:56
first, but things start to get weird
0:58
once it becomes clear that they're no
1:00
longer in control of their own bodies.
1:02
As they start stuffing their faces like
1:03
they're all competing to see who can
1:05
make the grossest [music]
1:06
mukbang video of all time, Circe circles
1:08
the table and starts using her hands to
1:11
literally shape them into pigs, as if
1:13
they're made of nothing but clay. One by
1:15
one, she essentially kneads them into
1:17
swine. Each transformation more
1:19
grotesque than the last. At one point,
1:22
she even shoves her entire arm down a
1:23
dude's throat. It's revolting in all the
1:26
best ways and totally unexpected. This
1:28
is because Nolan hasn't done anything
1:30
remotely close to this in any of his
1:32
previous [music] films. While we're all
1:33
very used to the fact that he strives
1:35
for authenticity, no matter how hard it
1:37
is or how much it costs, [music]
1:38
watching Morton's Circe perform literal
1:40
magic right in front of our eyes is
1:42
something else entirely. We honestly
1:44
have no idea how he filmed it. Like we
1:47
said before, David Cronenberg, the
1:49
undisputed king of body horror and
1:51
practical special effects, [music] is
1:52
going to lose it when he sees the film,
1:54
if he hasn't already. That being said,
1:56
we really hope Nolan considers doing a
1:58
straight-up horror film sometime in the
2:00
near future. Yes, he went so far as to
2:02
call Oppenheimer a horror film, but
2:04
we're talking real horror. He's been
2:06
able to master and push forward every
2:09
genre he sets out to tackle. So, it's
2:11
fun to think about what he can
2:12
contribute to that well-explored [music]
2:13
realm. While the practical effects
2:15
aspect of the scene will likely be
2:17
talked about for years to come, Morton's
2:19
performance as a whole will also go down
2:21
in history. But, during [music] a Today
2:22
interview, Craig Melvin brought up a
2:24
quote from Nolan that speaks to the
2:26
power of her [music] acting.
2:27
>> After one of Samantha's takes, the crew
2:29
gave her a great round of applause. The
2:31
last time that happened was with Heath
2:33
Ledger on The Dark Knight.
2:35
>> That's some profoundly high praise. So,
2:37
it comes as no surprise that Morton
2:39
didn't even know how to respond. But,
2:41
this is far from her first brush with
2:43
groundbreaking cinema. She's been a
2:45
Hollywood staple for decades and boasts
2:47
[music] a long list of accolades,
2:49
including two Oscar nominations. We have
2:51
no doubt that her brief [music] but
2:53
powerful performance as Serci will earn
2:55
her at least a few more. Her crazy scene
2:57
is just one of many that can't be found
2:59
anywhere in the trailers.
3:00
>> [music]
3:00
>> So, we implore you to get your butt in a
3:02
theater and see the Odyssey the way it's
3:04
meant to be seen on the biggest [music]
3:06
screen possible.