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11 Times Ben Stiller Broke Other Actors On Set
11 Times Ben Stiller Broke Other Actors On Set
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Phụ đề (352)
0:00
Oh, let me guess, Jack. Is that one of
0:02
your little secret cameras, huh?
0:06
Is that too much?
0:08
>> [laughter]
0:12
>> Ben, stop laughing. Everyone's laughing.
0:14
Look at me, you little hard-on.
0:15
>> [laughter]
0:16
>> Ben Stiller may play the straight man in
0:18
a lot of movies, but he has a comedic
0:20
mind like no other. These are his best
0:22
bloopers from Happy Gilmore to Zoolander
0:24
and everything in between.
0:28
>> Oh.
0:30
I'm going to see how this place holds
0:32
up.
0:33
>> Okay.
0:34
>> If there's one movie that put Ben
0:35
Stiller on the map for mainstream
0:37
audiences, it's Meet the Parents. And
0:39
part of the magic comes from the light
0:40
atmosphere on set.
0:42
>> No, Kevin and you?
0:46
>> No, Daddy and me?
0:48
>> No, Kevin and you.
0:50
>> It was a stacked cast, but they clearly
0:52
had a blast making it. At least going by
0:54
the gag reels that show them breaking on
0:56
almost every line.
0:58
>> I'd like to at least have a cup of
0:59
coffee before I get inquisitized.
1:02
>> All right, look. Why don't you go
1:03
>> [laughter]
1:05
>> I don't understand. How does he know I
1:07
don't know.
1:07
I'm sorry.
1:08
>> It's okay.
1:09
>> One more.
1:10
>> All right.
1:10
>> Probably the best part of the outtakes
1:12
is seeing Robert De Niro crack up like a
1:14
schoolboy in the middle of takes.
1:16
>> With my knowledge and my experience,
1:19
>> [laughter]
1:23
>> Does her dress have a veil?
1:29
>> But at the end of the day, Stiller
1:30
definitely did the most breaking.
1:33
>> Oh, yes, Dina. Jack can talk Thai.
1:35
Jack talk Thai very well.
1:38
>> [laughter]
1:40
>> The whole crew came back for Meet the
1:41
Fockers with the addition of Dustin
1:43
Hoffman and Barbra Streisand, and it
1:44
looks like everyone had just as much fun
1:46
on set.
1:47
>> I think he likes me.
1:51
No?
1:53
>> The laughter was contagious this time
1:55
around.
1:56
>> Little Jack, are you hungry? Are you
1:59
hungry? [laughter]
2:02
Sorry. [snorts]
2:04
>> [laughter]
2:07
>> Once one person started, everyone caught
2:09
the bug.
2:10
>> We're doing it at Harry Focker's place?
2:16
>> And just like in the first movie,
2:17
Stiller and De Niro had a lot of trouble
2:19
holding it together in their scenes
2:21
together.
2:22
>> Good guy.
2:23
>> Mhm.
2:24
>> That's uh first cousin.
2:25
>> First, yeah. And his kids, Randy and
2:27
Orny.
2:29
>> [snorts and laughter]
2:31
>> And did you meet HIS KIDS? [music]
2:33
>> [laughter]
2:36
>> RANDY'S A GOOD KID. HE HAD SOME
2:37
PROBLEMS. YOU KNOW.
2:41
>> [laughter]
2:43
>> THE third time was the charm for the
2:45
Fockers.
2:46
>> Sorry I'm late. Mwah. Little uh
2:48
emergency at the hospital.
2:49
>> Oh, no.
2:51
>> What emergency?
2:52
>> Dog fight.
2:53
>> [laughter]
2:54
>> Little Fockers brought the family
2:55
together yet again with the same
2:57
behind-the-scenes problems.
2:59
>> What are you doing? You're blowing into
3:00
your
3:01
>> [laughter]
3:03
>> To his credit, Stiller goes into a scene
3:05
hell-bent on getting through it, no
3:06
matter who's already laughing in a shot.
3:09
>> You're done. You're done.
3:10
>> I'm done.
3:11
>> Take your hard-working crew and skip
3:13
skip it. Hit the arches.
3:15
>> His argument with Harvey Keitel had Owen
3:17
Wilson and De Niro breaking in the
3:18
background at every line.
3:21
>> You put that in there.
3:22
You were
3:24
>> What are you thinking calling this with
3:25
your house?
3:26
>> You're fired.
3:29
>> Call me a
3:30
my own property?
3:32
>> [laughter]
3:32
>> Wilson even tried to hide behind De
3:34
Niro, but it didn't help.
3:36
>> Hey.
3:37
>> Yeah.
3:38
>> Hot shot.
3:40
Listen to what I'm going to tell you.
3:41
I'm telling you how it's going to be.
3:43
>> you do it then.
3:45
>> All right.
3:46
>> Along Came Polly paired Stiller with
3:48
Jennifer Aniston for a rom-com classic,
3:50
and although she didn't break much, one
3:52
particular scene with Hank Azaria took
3:54
forever to get through.
3:55
>> You then look to me in my eyeball.
3:58
I promise you I take care of Lisa as if
4:01
she were my own flesh and blood. Okay?
4:03
>> Okay.
4:04
>> Okay, solid. Bastard.
4:07
>> Take two didn't go much better.
4:08
>> [music]
4:09
>> I take care of Lisa as if she were my
4:11
own flesh and blood.
4:13
>> Thank you.
4:15
>> Bastard.
4:16
>> [laughter]
4:18
>> Or take three, or take [music] four.
4:20
>> Listen, I just want you to know that
4:23
>> [laughter]
4:25
>> I just want you to know
4:29
>> Okay, all right, come on.
4:31
>> And if you've ever seen Philip Seymour
4:32
Hoffman try not to laugh, you know why
4:34
he was one of the best actors of all
4:36
time.
4:36
>> Listen to me. Listen to me. I need you
4:38
to do something for me.
4:40
Sandy, get it together. Listen to me.
4:42
Sandy, hold it together. It's really
4:43
important. Sandy, look at me. It's
4:45
really really really important, okay?
4:48
>> He never quite breaks until the director
4:50
calls cut.
4:54
>> [laughter]
4:55
>> Of course, the view from the second
4:57
camera shows why it was so hard. Ben's
4:59
already laughing his ass off.
5:01
>> Seriously, it's the most important thing
5:03
you're ever going to have to do.
5:05
>> [laughter]
5:07
>> Dodgeball: A True Underdog Story was the
5:10
type of over-the-top sports comedy that
5:12
could have only come from the early
5:13
2000s, but the bloopers never get old.
5:17
>> Peekaboo!
5:23
>> I'm sorry.
5:24
>> A bunch of grown adults taking a game of
5:26
dodgeball deadly seriously is inherently
5:28
funny, and sometimes they couldn't help
5:30
it.
5:31
>> Grammar, if you cram all the floor,
5:32
you're about to be wiped off the floor
5:34
by me and my Globo [music] Gym guys.
5:37
>> Stiller and Vince Vaughn had a lot of
5:39
laughs.
5:40
>> Only striking an opposing player
5:41
eliminates him.
5:43
Catching the ball does nothing.
5:44
>> Sorry.
5:45
>> Laughing really up the shot.
5:47
>> it
5:47
>> one more time.
5:48
>> Both feet must remain in the triangle.
5:51
>> I'm sorry.
5:52
Take it from the top. I'm sorry.
5:54
>> But the real chemistry came from his
5:56
scenes with his real-life wife,
5:57
Christine Taylor. Well, we [music] think
5:59
you can call it chemistry.
6:01
>> Freaking naughty.
6:05
Just freaking naughty.
6:08
>> [laughter]
6:09
>> You can't talk Ben Stiller movies
6:11
without mentioning Zoolander.
6:19
>> [laughter]
6:20
>> Love for his brainwashed male model
6:22
assassin plot comedy has been on the
6:24
rise in recent years and for good
6:26
reason. [music]
6:27
>> Well, when Maury told me what you were
6:28
WILLING TO DO
6:31
I DO ONE MORE.
6:32
If we CAN SNEAK INTO MAURY'S UNDETECTED.
6:35
>> [laughter]
6:35
>> CUT.
6:38
>> It was the third feature film he ever
6:39
directed and you can tell it was one of
6:41
the most fun for everyone to make.
6:46
>> It's much better.
6:46
>> Probably look beautiful. [laughter]
6:49
>> Bro.
6:50
>> [snorts]
6:53
>> Ben Stiller, Vince Vaughn, Jonah Hill,
6:55
Richard Ayoade, and aliens. What more
6:57
could you want in a movie?
6:59
>> I was abducted
7:00
at FAO Schwarz.
7:04
>> All right.
7:05
>> All right. Switch man.
7:06
>> Hey, thanks for turning it on.
7:08
>> Stiller wasn't directing this one, but
7:10
you can always count on him to shoot for
7:12
perfection.
7:13
>> Sorry, this there's a camera that
7:14
nobody's operating in the middle. Is
7:16
that okay?
7:17
>> Yeah, it's fine.
7:19
>> Bloop reel.
7:21
>> 2006 put Stiller in a family adventure
7:23
with Night at the Museum and behind the
7:25
scenes was exactly what you'd expect.
7:28
Well, sometimes.
7:29
>> I'm in charge of
7:33
>> [laughter]
7:36
>> Even with all the special effects and
7:38
ridiculous situations, the main takeaway
7:40
from the gag reel is don't hire Ricky
7:42
Gervais if you want to have any chance
7:44
of finishing a movie.
7:45
>> Oh, I'm finding this so funny.
7:47
>> Oh, come on.
7:48
>> Come [laughter] on.
7:49
>> Come on.
7:50
>> Ten to the dozen if you want a BATTLE OF
7:51
HUMOR.
7:52
>> [laughter]
7:56
>> IT'S IMPOSSIBLE.
7:58
>> OR ROBIN WILLIAMS.
7:59
>> Because it's done almost and you have to
8:02
>> I got it. [laughter] I know. I know. I
8:05
know. Look, I know.
8:06
>> Listen.
8:07
>> It's all in a day's work on a Stiller
8:09
movie.
8:10
>> I got the key to laughter.
8:13
>> [laughter]
8:13
>> I got the key
8:16
>> Sequels were inevitable after the
8:17
success of Night at the Museum and they
8:19
brought all the same on set shenanigans.
8:24
>> What?
8:25
>> [laughter]
8:27
>> Long time buried baby coming back
8:29
woolly. This time is personal.
8:32
>> [laughter]
8:33
>> Bigger casts meant more laughs and it
8:35
almost became a game for the other
8:37
actors to get Stiller to break.
8:40
>> [music]
8:45
[laughter]
8:48
>> Please, don't even think about escaping
8:51
for I shall
8:53
>> [laughter]
8:53
>> But for all that, Stiller got a few good
8:56
lines in.
8:57
>> I wanted the park all night. I'm
8:58
jobless.
9:00
>> Yeah, BUT YOU'RE NOT HOMELESS.
9:02
>> [laughter]
9:03
>> IT'S A GREAT LINE.
9:05
>> JESUS CHRIST.
9:07
>> Not yet. It comes later.
9:10
>> From start to finish, the Night at the
9:12
Museum trilogy seemed like a lot of fun.
9:15
>> OH, YEEHAW!
9:17
MY WORK HERE IS DONE.
9:19
>> THAT'S RIDICULOUS.
9:21
>> [laughter]
9:22
>> Stiller only had a small part in Happy
9:24
Gilmore, but he managed to get the set
9:25
laughing with just a couple lines.
9:28
>> I want you to take care of her little uh
9:29
extra special. You know what I mean?
9:31
>> I can't accept that.
9:33
>> [laughter]
9:34
>> Once Adam Sandler got going, it was
9:36
over.
9:37
>> I can't accept that. In fact, I can't
9:39
even touch [clears throat] that. But
9:40
I'll take you to court.
9:42
I'm going to take care of this little
9:43
extra special.
9:45
>> [laughter]
9:46
>> Can I come back to him? You know what? I
9:48
was like
9:49
Where are you? Tell me the new line.
9:51
>> It didn't get better when Sandler left
9:53
the scene, either.
9:54
>> [music]
9:54
>> Now you go to sleep.
9:56
I'm
9:57
going to put you to sleep. I'm sorry.
10:00
>> Fast forward 29 years, and things
10:01
weren't much different on the Happy
10:02
Gilmore 2 set.
10:04
>> MR. GILMORE.
10:07
>> [laughter]
10:08
>> LIKE GARBAGE.
10:10
MR. GILMORE.
10:12
>> Tower Heist is a little less zany and a
10:14
little more action-focused than a lot of
10:16
Stiller's movies, but apparently nobody
10:17
told the cast.
10:18
>> [music]
10:19
>> You got no balls. I have gigantic balls,
10:21
all right? Gigantic? Gigantic. I have
10:25
huge balls. Find this funny?
10:28
>> [music]
10:28
>> Do you find this funny?
10:29
>> No, sir.
10:30
>> [laughter]
10:31
>> Now you're fired. Forget it.
10:33
>> Going by the gag reel, the on-set
10:35
atmosphere was just as fun as any of his
10:37
other movies.
10:38
>> She's not Chinese, she's Korean.
10:39
>> And [music] you believed her?
10:42
Is that the line?
10:44
And what's my line?
10:45
>> Yeah, she's Korean.
10:48
>> And as usual, there's one veteran actor
10:50
who can't keep their composure.
10:52
>> Charlie coming down Central Park West.
10:55
Charlie coming down Central
10:57
What's Charlie doing here?
11:01
>> That's just what you can expect when you
11:02
sign on to a Ben Stiller movie.
11:04
>> I need to see your garbage.
11:06
>> I want to see your balls.
11:07
>> [laughter]
