Tất cả bài viết

Why the ‘Expat’ Debate Reveals Hidden Power Dynamics in Vietnam’s Migration Landscape

“Expat is a racist as hell term” — this is the take of Misan Harriman on the popular internet show SubwayTakes. The reasoning goes that the term expat, short for expatriate, is racist because it is applied to migrants unevenly. Along this line, Mawuna Remarque Koutonin writes in Silicon Africa: “Africans are immigrants. Arabs are immigrants. Asians are immigrants. However, Europeans are expats because they can’t be at the same level as other ethnicities. They are superior. Immigrants is a term set aside for ‘inferior races.’”

09-09-2026

Folk Pop Star Phương Mỹ Chi’s New Video Brings Khmer Culture to Vietnamese Pop

After forays into the worlds of reality TV and cinema, Vietnam’s folk pop princess Phương Mỹ Chi has returned to her roots with a fresh new full-length album, pioneered by the lead single ‘Thiên đường với người thương’ (lit: In heaven with my beloved).

08-09-2026

How Colonial Music Policy Cemented French Songs in Vietnam’s Elite Culture

“Tombe la merde; tu ne viendras pas ce soir [Shit is falling; you’re not coming tonight]”: an outburst of laughter and applause would inevitably fill the room as my dad, in his deep, mellifluous voice, put his own profane twist on Salvatore Adamo’s ‘Tombe la neige.’ This track, like ‘Paroles… Paroles…’ by Dalida or Christophe’s ‘Aline,’ are widely known and adored in both France and my family in Vietnam. My childhood unfolded against these rhythms, melodies, and lyrics, whose origins were so far removed from me, both temporally and geographically.

06-09-2026

When Vietnam Meets Japan: How Mỹ Anh and Nao Yoshioka Blend Generations and Cultures in “Pieces of Me”

Mỹ Anh has come a long way since becoming the runner-up of The Heroes in 2021. Five years later, now with a full-length album and a spectrum of singles and extended plays under her belt, the Hanoi-based artist has proven to be one of the most dynamic singer-songwriter-producer of her generation.

06-09-2026

Thom Nguyen’s “Limerence” Turns Queer Portraiture and Mushrooms into a Visual Study of Obsessive Love

Thom Nguyen utilizes portraiture and depictions of mushrooms and organic objects to explore the concept of limerence in a solo exhibition at Permanently Closed Gallery in Thảo Điền, beginning Friday, August 28.

03-09-2026

Why Saving Tế Tiêu’s Land Puppetry Matters for Memory and Tourism

Bidding goodbye to central Hanoi, I took the National Road 21B to reach Tế Tiêu Neighborhood, a small community in Đại Nghĩa Township of Hanoi’s Mỹ Đức District. This fertile patch of land by the Đáy River is the cradle of a unique form of traditional folk art: Tế Tiêu puppetry.

03-09-2026

How Vinahouse Helps Queer Communities Feel Belonging in Modern Saigon

If you spend a night wandering along Bùi Viện Walking Street and its dense concentration of bars and clubs, you will almost certainly hear the same sound spilling from multiple directions: fast, pounding basslines layered with Vietnamese pop melodies, punctuated by dramatic buildups and explosive drops. If you fall into the right algorithm on TikTok, you might encounter these same sounds circulating as background audio. This music is Vinahouse. Its ever-presence in both physical and digital spaces makes it one of the most recognizable yet least critically examined musical forms in contemporary Vietnam.

03-09-2026

What Does "Expat" Really Mean? A Simple Look at a Controversial Word

“Expat is a racist as hell term” — this is the take of Misan Harriman on the popular internet show SubwayTakes. The reasoning goes that the term expat, short for expatriate, is racist because it is applied to migrants unevenly. Along this line, Mawuna Remarque Koutonin writes in Silicon Africa: “Africans are immigrants. Arabs are immigrants. Asians are immigrants. However, Europeans are expats because they can’t be at the same level as other ethnicities. They are superior. Immigrants is a term set aside for ‘inferior races.’”

02-09-2026

Short Film Shows Life of Hanoi's Scrap Collectors

Đồng nát translates to “junk; broken materials,” but it is also a term used in northern Vietnam to describe the recycling workforce, 90% of whom are elderly women, that operate in a nation that produces 68,000 tons of solid waste every day.

06-08-2026

Short Film Shows Life of Hanoi's Scrap Collectors

Đồng nát translates to “junk; broken materials,” but it is also a term used in northern Vietnam to describe the recycling workforce, 90% of whom are elderly women, that operate in a nation that produces 68,000 tons of solid waste every day.

06-08-2026